The way Bukka White says, "You got to give me a chance to get all my tools out now, what'cha reckon." and then just goes into this song, makes me laugh. I guess you would have to have grown up around people who talk like that to understand.
And then there is that beautiful National Steel Guitar, being played on his lap. You got to love it.
For some odd reason John Lee Hooker is on my mind. I have written about him on several occasions (here, here and here) and I think it is a good time to do another post on him and his music because his birthday was on 22 Aug.
Here are a few links to blogs that have recently posted some of his music.
And here is another great post from the blog trees lounge. He has been doing a post on all the states, and his Kentucky State post includes an mp3 of John Lee Hooker's song "One Bourbon, One Scotch, One Beer."
Don't you hate it when you lose a CD, or more likely miss place it. So I'm surfing the web last night to see what other bloggers have to say about Muddy Waters and I come across this:
Which is accompanied with a cool post on the similarities of rap and the blues. A conversation that I have had many times.
After listening to the mp3 I realize that I own a disk with this song on it, which caused me to search through some 400 disk or so, to no avail. This song is not on any of my Muddy Waters CDs, nor Howling Wolf CDs, or Bo Diddley CDs. But like as with most of my searches, there is a silver lining, I found several other disk that I have been looking for, for some time now.
I have just recently become aware of blues podcasting. It is something that I have wanted to explore in-depth for a while now, but just never got around to. But I recently found a podcast that prompted me to dive right in.
I wish I could write something elegant enough to explain how good the Uncensored History of the Blues podcast is. But words fell me. I don't know if it is the plain spoken presentation style of the host Mike Rugel or if it is the fact that he picks a topic and then presents prewar blues songs that illustrate the theme. One thing that I really like about this podcast is that it has a lot of historical value.
Both the themes and the music give you a glimpse into the past as well as the lives of the musicians. I have always thought that the best way to understand the blues, is to consider the time when the music was being made. This podcast does a good job of connecting the music to past events.
The site is discribed @ ODEO.com
Mike Rugel and the Delta Blues Museum take a raw look at the early history of blues music. Each show includes a series of pre-war blues tracks along with context and exposition.
Again words fell me, so without more delay please click on one of the links below;
If this video is what I think it is then it is too cool, but if it is not then it is still cool. I think this is Big Bill Broonzy playing a guitar shuffle. Enjoy!
Here is a different take on some of the early female blues singers. I had not read or heard some of this information before, but it makes for interesting reading.
I had the idea recently to link to some of my favorite blues music links as a service to my readers and to shine a light on some of the better blues resources that are out there on the web.
Because my online friend mister anchovy mentioned Buddy Guy in a comment I thought I would do a quick search for some of Buddy's music. I came across this interesting interview of him. It made me laugh to here him talking about making guitars when he was a boy.
I guess every little boy in the state of Louisiana that was born before 1970 or so must have tried to make a guitar at least once in his life. Glad that Buddy's father broke down and bought him one though, because he is a great bluesman and I love his playing.
To say that I love this album is an understatement. It takes me back to a time in my boyhood that I became aware of the women who hung out at juke joints. The kind of woman who would make a statement like "I Got What it Takes" and mean it.
And if you listen to this album you will come away from it secure in the knowledge that Mrs. Taylor has what it takes too. The album was recorded in 1975, and this was just about around the time that I am talking about. This was Taylor's first release for Alligator Records and is a good introduction to her later work for that label. This CD contains 11 tracks which make for the kind of modern party music played in juke joints all over the blues world at the time, they all have that gritty but upbeat sound that I love to wallow in.
The liner notes to the release state, Koko Taylor has "no hesitation at all to put you right down in blues alley. There's total involvement, total commitment to the truth of the blues. Whether you want to or not — she'll make you get down." If you buy this CD and give it a listen, you will have no doubt about this.
Tracks from this CD
01. Trying To Make A Living <- Click here to sample this song. 02. I Got What It Takes 03. Mama, He Treats Your Daughter Mean 04. Voodoo Woman 05. Be What You Want To Be 06. Honkey Tonkey 07. Big Boss Man 08. Blues Never Die 09. Find A Fool 10. Happy Home 11. That's Why I'm Crying
I did a search for some cool Koko Taylor video, but could not find anything from this album. Please take a look at this video to get a sense of what it is like to see Mrs. Taylor perform in person.
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