
Radiolab (a show on NPR) did a broadcast about Robert Johnson. It was a wonderful history lesson.
http://www.radiolab.org/story/199705-crossroads/


Readers hoping for sex and drugs and rock 'n' roll won't be disappointed by the legendary guitarist's autobiography. As he retraces every step of his career, from the early stints with the Yardbirds and Cream to his solo successes, Clapton also devotes copious detail to his drug and alcohol addictions, particularly how they intersected with his romantic obsession with Pattie Boyd. His relationship with the woman for whom he wrote Layla culminated in a turbulent marriage he describes as drunken forays into the unknown. But he genuinely warms to the subject of his recovery, stressing its spiritual elements and eagerly discussing the fund-raising efforts for his Crossroads clinic in Antigua. His self-reckoning is filled with modesty, especially in the form of dissatisfaction with his early successes. He professes ambivalence about the famous Clapton is God graffiti, although he admits he was grateful for the recognition from fans. At times, he sounds more like landed gentry than a rock star: bragging about his collection of contemporary art, vigorously defending his hunting and fishing as leisure activities, and extolling the virtues of his quiet country living. But both the youthful excesses and the current calm state are narrated with an engaging tone that nudges Clapton's story ahead of other rock 'n' roll memoirs. (Oct. 9)
This latest entry in Backbeat's bestselling handbook series starts by exploring the humble beginnings of blues guitar through the early decades of the 20th century, including profiles of such players as Robert Johnson, Charley Patton, and Son House. As the story moves into the '40s and '50s, and blues players migrate to major urban centers, author Adam St. James follows the evolution of the music at the hands of such electric blues kingpins as Muddy Waters, Howlin' Wolf, and B. B. King. Then it's the blues-rockers of the '60s, '70s, and '80s (including Eric Clapton, Jimmy Page, Jeff Beck, and Stevie Ray Vaughan) before the story comes up to date, with blues flame-keepers such as Keb Mo' or Duke Robillard, and some not-quite-traditionalists, such as Robben Ford or Derek Trucks. A comprehensive section for mastering electric and acoustic blues follows this historic overview. Starting from the very basics, it leads you into more advanced rhythm and lead techniques before examining four key styles: acoustic blues, classic electric blues, blues rock, and jazz blues. The many exercises in the book are supported by specially recorded audio tracks on the accompanying CD.
"I'm delighted to announce that I've just signed a licensing deal with Right Recordings Ltd., a pop/indy label in the UK, for my self-produced solo debut, Kick and Stomp. The phrase "worldwide distribution" has a nice ring to it, as does the phrase "radio edit." Here's the new version of "Crossroads Blues
http://www.amazon.co.uk/Crossroads-Blues-Radio-Edit/dp/ B00GLO3T2A/ ref=sr_1_1?ie=UTF8&qid=13844356 93&sr=8-1&keywords=adam+gussow +crossroads+blues "
Nick says; The Bo-Keys have made a series of new deep soul singles out of Memphis, Tennessee, two of which are coming out next Tuesday. This mini-documentary chronicles the recording of them, featuring band members Howard Grimes (Al Green), Archie "Hubbie" Turner (Al Green), and guest vocalist Percy Wiggins (ATCO Records). This is deep soul from a mix of the folks who recorded with Hi and Stax in the 1960s and a new crop of devotees.