"Travelling Riverside Blues," sometimes called "Mudbone" or "Mud Bone," is a blues song written and recorded in Dallas, Texas by the bluesman Robert Johnson.
Make the juice run down my leg.
.... So while not everything here will click with audiences unfamiliar with blues-cum-country fare, despite this artist’s stateside achievements, How I Go is a decent introduction to an artist whose admiration of the likes of BB King and Honeyboy Edwards is steadily producing a comparable catalogue of authentically dusty barroom stompers and unlikely stadium rockers. It’s a set that benefits from its maker’s restraint – more of the same next time and he’ll move closer to the pantheon occupied by Clapton et al.
El Camino is the seventh studio album by American blues-rock duo The Black Keys, and was produced in Nashville. BBC
El Camino finds its identity and The Black Keys their new purpose – to reinvigorate rock’n’roll from the roots upRolling Stone
The Keys cited the Clash as an influence for El Camino, and that influence is evident in the increased zip of the grooves, and in the group hug between roots music and rock spectacle
The first incarnation of “Guitararama” entered the Top 10 HMV Blues Album Chart in the UK (between two Robert Johnson albums), as well as the ITunes Top 10 Chart in both Norway and Sweden. Guitar Magazine also placed it in the top 10 albums of the year.
Here is a blues humor post from the archives, the "Blues Brothers" movie is still a very funny movie.
While not in the same vane as many of my recent post. I have been posting mostly prewar blues in SqueezeMyLemon, that is because that is where I am at right now. Those blues are the ones that shade me right now. That is how blue I am. If you understand what I trying to say.
But there is an event that is going on in the world of the blues that I want to draw your attention to. It is the up coming release of the 25th Anniversary Edition of the 1980 movie "The Blues Brothers".
I have heard some of the critics say that this movie is really not about the blues at all. I mean it does not really have any blues greats in it. But that is OK. I think that Dan Aykroyd and John Belushi both loved the music and it showed in the work that they did on Sartuday Night Live and in the original movie.
Then there is the matter of the musicians, in the movie. The band, which had among others, Steve Cropper, Matt "Guitar" Murphy, Donald "Duck" Dunn, and Lou Marini, was a real band of real musicians that played a tight, sharp, and clean set. In the movie there were musical performances by the band and guests Aretha Franklin, Ray Charles, Cab Calloway, and James Brown which are classic and priceless. Even though they are not strictly blues performances. But they reflect where the music was at when the movie was made.
A very good interview was done on Terry Gross' NPR show, Dan Aykroyd, Still Full of the 'Blues'.
On Aug 30th there will be an anniversary event. The event will feature a live Q&A discussion with director/writer John Landis and the film's star and co-writer, Dan Aykroyd (via satellite from Toronto), followed by a first time screening of the film in high definition and cinema surround sound. The entire program will be presented live via satellite beginning at 6:30 p.m. PT / 9:30 p.m. ET to 83 movie theatres from coast to coast.
There are many highlight in the movie that still make me laugh to this day;
1. The seemingly endless, escalating series of car crashes. (I loved this, some don't)
2. "We've got both kinds of music: country AND western"
3. "We're on a mission from God"
4. When Ray Charles (God rest his soul) orders during the diner scene "four fried chickens and a Coke."
5. The scene with Carry Fisher, makes me laugh to this day.
Django Reinhardt (French pronunciation: was a pioneering virtuoso jazz guitarist and composer who invented an entirely new style of jazz guitar technique (sometimes called 'hot' jazz guitar) that has since become a living musical tradition within Belgian gypsy culture. With violinist Stéphane Grappelli, he co-founded the Quintette du Hot Club de France, described by critic Thom Jurek as "one of the most original bands in the history of recorded jazz."
On the baroque, majestic Ilo Veyou, her fourth, self-produced, solo album, MaJiKer has gone but plenty of magic remains. In comes a classically trained string quartet – and a surprising step into territory unexplored in French music since the days that Le Pétomane, the great fartiste of the Moulin Rouge, titillated fin de siècle audiences with his note-perfect derrière.
Considered the “Young Turks” of the Chicago blues scene, the Cash box Kings are dedicated to carrying on the spirit of the 1940’s and 50’s post-war Chicago blues sound as well as the Delta blues music of the 20’s and 30’s.
Our prayers are going out to the incomparable Mrs. Etta James as news reports are stating that she is gravely ill.
Please see E Online's article titled Blues Legend Etta James Terminally Ill for more details.
According to the "At Last" singer's live-in physician, the blues icon is terminally ill and has little time left after battling leukemia, dementia and kidney failure for several years now.
We've posted a few of Rosetta Tharpe's YouTube clips here at SqueezeMyLemon, because she is so spectacularly placed at the junction of blues and gospel music that it is mind boggling when you really consider how talented she was.
And it seems to me that she does not really get the credit that she deserves for her ground breaking work.
Just listen to this one and I hope you enjoy it as much as I do.
Sister Rosetta Tharpe @Amazon.com
Gary Clark Jr. "you going to know his name by the end of the night".
Notes from YouTube:
© 2011 WMG Gary Clark Jr. - Bright Lights
Directed/Edited by Bill Berg Hillinger
Bright Lights EP available now stores and on tour. http://wbr.fm/GCJep
http://www.garyclarkjr.com/
http://www.facebook.com/garyclarkjrmusic
http://www.twitter.com/garyclarkjr

Product Details
Paperback: 320 pages
Publisher: Da Capo Press (September 2, 2003)
Language: English
ISBN-10: 0306812967
ISBN-13: 978-0306812965
Book Description (from Amazon.com)
Francis Davis's The History of the Blues is a groundbreaking rethinking of the blues that fearlessly examines how race relations have altered perceptions of the music. Tracing its origins from the Mississippi Delta to its amplification in Chicago right after World War II, Davis argues for an examination of the blues in its own right, not just as a precursor to jazz and rock 'n' roll. The lives of major figures such as Robert Johnson, Charlie Patton, and Leadbelly, in addition to contemporary artists such as Stevie Ray Vaughan and Robert Cray, are examined and skillfully woven into a riveting, provocative narrative.
This video is a re-enactment, but I really like it. I hope you enjoy it too, I think it is a great blues song for a Sunday morning.
This video makes me laugh and also is amazing.
Notes from YouTube:
The opening act of the legendary Michael Winslow's hilarious performance in Michael Winslow Live at the Improv. Known universally as the sound-effects ninja guy from Police Academy, he continued to refine his noises and impersonations long after the movies disappeared from public view. He now returns with his amazing signature Jimi Hendrix impersonation along side other incredible acts later in the show including a Led Zeppelin performance and a host of other sound-effect related gags.
I hear a lot of classic blues music in ads, and it always makes me wonder. If blues music is popular enough to sell cars, food and even toys, why is it not popular enough to make blues musicians more wealthy?
The Economist online approaches the question from a different angle, in their article, Music in Commercials: Looney Tunes. It is a very good read.
THERE was quite a kerfuffle over this year’s Christmas advert for John Lewis, a British department store. It’s a nice, if overly sentimental, minute and a half in which a child impatiently counts down the days until Christmas. At the end we discover that his eagerness was more about wanting give his mum and dad a present than receive his own.
Here is a blues art poster that I posted earlier, I like the look on Muddy Waters face in this print.

The album (and DVD) is a high-energy fireball of spectacular music. JJ and company seamlessly glide between sounds, with the crowd obviously feeding off the magnificent energy.AllaboutJazz
And the depth to which JJ Grey and Mofro believe in the music they make approaches a religious fervor: Brighter Days, the work of a group spectacularly confident of itself, thus becomes a testament to the transformative power of music.

While tall tales, unlikely fables and outright lies make up much of what Sonny Boy Williamson II had to say about his own life, his most important contributions have been documented well through countless recordings on myriad labels. His output of recordings, both issued and unissued, for Lillian McMurray's Trumpet label, can be found on Arhoolie, Alligator, Purple Pyramid, Collectables, plus a handful of other domestic and import imprints, while his years as a resident of the Chess/Checker house appear on various compilations on MCA/Chess. His European recordings reside on Alligator, Analogue Productions, Storyville, and others.
Sonny Boy Williamson II has had an enormous influence on modern day blues and blues rock artists and other legendary artists, as is shown by the number of his songs that are still covered.
- Muddy Waters - "Nine Below Zero", "Decoration Day"
- Howlin' Wolf - "Cool Disposition", "Decoration Day"
- B. B. King - "Eyesight to the Blind"
- Mose Allison - "Eyesight to the Blind"
- John Mayall's Bluesbreakers - "Help Me", "Checkin' Up On My Baby"
- Led Zeppelin - "Bring It on Home"
- Van Morrison - "Take Your Hands Out of My Pocket", "Help Me" - both on the 1974 live album It's Too Late to Stop Now. Morrison has often sung "Help Me" in live performances throughout his long career.
- The Allman Brothers Band - "One Way Out"
- New York Dolls - "Don't Start me Talkin'"
- Ten Years After - "Help Me"
- The Who - "Eyesight to the Blind"
- Aerosmith - "Eyesight to the Blind"
- The Blues Brothers - "From the Bottom"
- Cowboy Junkies - "Decoration Day"
- Lester Butler - "I Cross My Heart"
- Rory Gallagher - "Don't Start me Talkin"; both on the Defender album and the live bootleg, Meeting With The G-Man.
- Nine Below Zero took their band name from his song.
- The Downchild Blues Band, also known as "Downchild", took their name from his song, "Mister Downchild".[3]
- John Popper of Blues Traveler notes Sonny Boy Williamson as a strong influence on his harmonica playing.
- Joe Bonamassa - "Your Funeral and My Trial"
- Dr. Feelgood - "Checking Up On My Baby" on their live album, Stupidity
R.I.P. Hubert Sumlin from the Houstonpress.com web site.
According to Houstonpress.com
Hubert Sumlin, former guitarist with Howlin' Wolf and member of the Blues Hall of Fame is dead at the age of 80. Sumlin was ranked at number 65 in Rolling Stone's greatest guitar players of all time and has been cited as an influence on a wide range of blues and rock guitarists.
Check him out at RamseyLewis.com
Also visit his twitter page @RamseyLewis
Notes from YouTube: Grateful Dead playing Death Don't Have No Mercy live at the Melodyland Theater.
http://squeezemylemon.blogspot.com/search/label/gospel%20blues
Notes form YouTube: " God Don't Never Change "
Tuesday, 10 December 1929 NEW ORLEANS
Gospel Blues @ SqueezeMyLemon
I thought I'd share a little Whitney Houston singing Gospel on this Sunday Morning. Hope you all are having a good one.
Whitney Houston @Amazon.com
This is so cool I really hope all the blues harmonica players out there watch this video. Adam Gussow gives a very interesting lecture on the importance of Sonny Boy Williamson to the modern blues scene.
Notes from YouTube
Sonny Boy Williamson? Many people--even those who aren't harmonica players or fans of the blues--have heard of him. But there were TWO great harmonica players named Sonny Boy Williamson, and many people don't know much about the first one: John Lee "Sonny Boy" Williamson, native of Jackson, Tennessee.
At the invitation of Sonny Boy archivist and gravesite preservationist Michael Baker, University of Mississippi blues scholar and harmonica player Adam Gussow visited the Jackson-Madison Country Library in May 2011 to give a lecture/demonstration on the artistry of John Lee Williamson. Gussow's researches into the publishing history of Williamson's songs not only make clear that confusion about the "two Sonny Boys" exists at the highest level--i.e., where the money is being made--but suggests that Williamson's primary music publisher, Arc Music, has evolved a startling and hilarious way of drawing attention to his most widely covered song, "Good Morning Little School Girl."
Credit for the film production goes to: Steve Bowers / Baltimore Street Productions 124 E. Baltimore Street, Suite 222 Jackson, TN 38301 Produced for E+TV6 Jackson, TN
If you'd like to learn how to play blues harmonica, please visit Gussow's website, Modern Blues Harmonica:
http://www.modernbluesharmonica.com
Gussow's one-man band version of Williamson's "Good Morning Little School Girl" is available on iTunes and Amazon mp3s. If you're interested in learning this song, a video lesson and tab are available at Modern Blues Harmonica:
video: http://www.tradebit.com/filedetail.php/2721206-good-morning-little-school-girl-gussow-mov
tab: http://www.tradebit.com/filedetail.php/2721207-good-morning-little-school-girl-gussow-pdf
Blind Lemon Jefferson preforming "Christmas Eve Blues".
Blind Lemon Jefferson @Amazon.com
Notes from YouTube: Led Zeppelin photo slideshow, performing at Cleveland's Public Hall, October 24, 1969. Concert info: http://www.ledzeppelin.com/show/october-24-1969
Led Zeppelin @ SqueezeMyLemon Blues Blog
Here is a video that Led Zeppelin just load to their YouTube channel.
Notes from YouTube: Led Zeppelin live concert film clips, New York, June 10, 1977. (courtesy: J.Peterson) Concert info: http://www.ledzeppelin.com/show/june-10-1977
Led Zeppelin @ Amazon.com
Notes from YouTube: Music video by Tedeschi Trucks Band performing Tedeschi Trucks Band EPK. (C) 2011 Sony Music Entertainment
Notes from YouTube: Marcia Ball at the Mobile Saenger Theater, January 20,2011
Notes from YouTube:
American blues singer and pianist, Marcia Ball, talks about the new record, Roadside Attractions.
Marcia was described in USA Today as "a sensation, saucy singer and superb pianist... where Texas stomp-rock and Louisiana blues-swamp meet." The Boston Globe described her music as "an irresistible celebratory blend of rollicking, two-fisted New Orleans piano, Louisiana swamp-rock and smoldering Texas blues from a contemporary storyteller."
Just in case that you did not get the news, here are the albums nominated for the blues Grammy Award.
Best Blues Album
Low Country Blues by Gregg Allman
[Rounder]
Roadside Attractions by Marcia Ball by
[Alligator]
Man In Motion by Warren Haynes
[Stax Records]
The Reflection by Keb Mo
[Yolabelle International/Ryko Records]
Revelator by Tedeschi Trucks Band
[Masterworks]
The The Gypsy Bangles twitted me and asked that I check out their music.
According to their Web Site:
The Gypsy Bangles - Soulful, Bluesy, Rock 'n Roll in the free spirited essence of the 60's and 70's.
Essentially a vehicle for Singer/Songwriter Kegan DeBoheme's love of 60's/70's rock, The Gypsy Bangles pay a soulful, bluesy homage to the great blues and rock artists from groovier times.